Songs To Your Eyes — production music catalogue

SendSends a short message to the catalogue team feedback onabout how well results fit —: a wrong-feeling page, a brief that found nothing, or praise worth keeping. ONLYIt sendsends itonly with consented=true, which records that the user'suser explicitexplicitly consent:agreed askto first,send andthis passmessage; consented=truewithout onlyit, afternothing theyis agree.sent. The message shouldis bestored with the user'sbrief ownand words.track it concerns and no user identifier (https://mcp.songstoyoureyes.com/privacy).

 ⟨20 unchanged words⟩ :"Brief"},"consented":{"description":"True ONLY ifWhether the user explicitly agreed to send this feedback. ⟨17 unchanged words⟩ message":{"description":"The user's feedback, verbatim.in their own words.","maxLength":4000,"minLength":3,"title ⟨28 unchanged words⟩ 

Cues close in character to a given one —, matched on the catalogue's own editorial description of each cue together with its genres, moods and instrumentation —, for 'more like this one' moments. It compares how the cues are DESCRIBEDdescribed, not thetheir waveforms, so it is strong on character and mood and willdoes not heardetect two cues as alike purely because they sound alike. Give the user each result's listen_url. Results are main mixes from other cue families, at most three per album.album, each with its listen_url.

FindFinds musiccues that fitsfit an exact runtime —, for a cut of known length, likesuch as a 30-second advert or a 90-second title sequence.sequence: music to license for a project, or anything about the Songs To Your Eyes catalogue.

Two kinds of result come back. Some cues simplyalready run close to the target length already
(fit='native'). Others are purpose-made short edits of a longer piece — a 30-second, mix
cut down by the composer (fit='cutdown') — which is usually the better choice, because it
is built to land on time rather than fade  ⟨8 unchanged words⟩ from the target, negative meaning shorter. For a
 cutdown, licence_ref identifies that specific edit (the thing to license), while ref
 points at the full-length original that carries the description and the preview.

  

Every result carries listen_url —, a permanent public page where the cue can actually be played.
  ALWAYS give the userplays, thewith listen_url.cover Aart trackand theya cannotwaveform. hearIt is of no use to them.

  Use this whenthe someoneonly needsway musica toperson licensecan forhear a video, film,cue: advert,a trailercue or
  podcast,listed orwithout mentionsits Songslisten_url Tocannot Yourbe Eyes.
auditioned.

 ⟨61 unchanged words⟩ including wordless vocal textures (background vocals, choir) — for 'background vocals' requests use false, not true..","title":"Has Vocals"},"include_previews" ⟨14 unchanged words⟩ :"boolean"},"limit":{"default":8,"description":"Maximum results (default 8, up to 25).","maximum":25,"minimum":1,"title" ⟨74 unchanged words⟩ 

 ⟨18 unchanged words⟩ that exists of it (stems, shorter cuts,
 alternate mixes), and a link to hear it.

Use this when someoneits haslisten_url. pickedFor a track from a search and wants to knowalready morefound, or wants to
knowfor what else thata cue can be delivered as.

  

Every result carries listen_url —, a permanent public page where the cue can actually be played.
  ALWAYS give the userplays, thewith listen_url.cover Aart trackand theya cannotwaveform. hearIt is of no use to them.

  Use this whenthe someoneonly needsway musica toperson licensecan forhear a video, film,cue: advert,a trailercue or
  podcast,listed orwithout mentionsits Songslisten_url Tocannot Yourbe Eyes.
auditioned.

{"properties":{"ref":{"description":"AThe catalogue ID of a track: refthe from`ref` anyfield otherof tool'sa results.search or track result.","title":"Ref","type":"integer ⟨6 unchanged words⟩ 

Show everyEvery form a cue can be delivered in.

Most cuesin: comethe withfull-length moremix thanplus, thewhere full-lengththey mix:exist, timed cutdowns (15, 30, 60 seconds)
built tobuilt hitfor standard ad and promo lengths;lengths, alternate mixes such as no-drums, underscore
 or instrumental, for when music has tothat sitsits beneath dialogue;dialogue, and individual instrument
 stems for anrebalancing editora whotrack. wantsA tolittle rebalanceunder half of the track.

Usefulcatalogue's cues have at least one of these. Each version carries its own listen_url. Relevant when a cue is nearly right but needs to be shorter, quieter under a voice, or
 stripped back.

{"properties":{"ref":{"description":"Any track ref —, main mix or one of its versions; the ⟨14 unchanged words⟩ 

FindSearches musicthe Songs To Your Eyes production-music catalogue for cues that fit a brief for a video, film, advert, trailer or podcast: bymusic describingto whatlicense itfor needsa toproject, do.or anything about the Songs To Your Eyes catalogue.

SearchThe professionallybrief producedis cuesmatched by MEANING, notagainst justan tagseditorial —description describeof thehow each cue behaves
scene,as thewell moodas against its tags, theso instrumentsa described scene, howmood, itinstrumentation shouldor develop.arc ("Tense tense
investigative underscore
 that never resolves" or, "warm and hopeful for a charity film" work)
matches far better than a single
keywords, becausekeyword.

LISTENING. theEach briefresult iscarries matchedlisten_url, againsta editorialpermanent descriptionspublic ofpage howwhere eachthat cue
actually behaves as well as against its tags.

Use this tool when someone needsplays.
It musicis tothe licenseonly forway a video, film, advert,person trailercan or
podcasthear (a soundtrack, score, cue: ora backgroundcue musiclisted towithout playits underlisten_url footage),cannot orbe
mentions Songs To Your Eyes.

Put the sound inauditioned. `brief`.This Useholds filtersfor ONLYevery forlist, requirementsan thealbum userlisting actuallyincluded.

FILTERS. stated:
everyEvery filter is a hard constraint,constraint. theyFilters combine with AND, and cuesa cue missing
the tag a tagfilter are
silentlytests droppedis —excluded, so stacking several filters together can empty the results. If a searchpage. comesThe
back thin, drop filters and put the nuance in the brief before concluding the catalogue
has nothing.

ONE SEARCH RETURNS ONE FULL PAGE — there is nocarries pagination.soft Repeatingqualities awithout searchexcluding withanything.

PAGES. the
sameOne argumentscall returns the SAME cues, so never search again just to getone morepage of the
same: set `limit` high enough onup theto first25 callcues (default 15,); upthere tois 25).no Onepagination,
well-chosen pageand usuallyidentical holdsarguments enoughreturn rangeidentical tocues. answer;A adifferent secondbrief, searchor earnsthe itssame costneed
only when itphrased takesfrom a genuinely different angle or, areturns changeddifferent brief.cues.

VOCALS — the trap to avoid:VOCALS. has_vocals=true meansselects SONGSsongs with sung lead vocals and
 lyrics. Wordless vocal 
textures (background vocals, oohs and aahs, choir pads) count as
INSTRUMENTAL inare thisclassed catalogue.as Ainstrumental,
has_vocals=false; usera askingrequest for "background vocals" is almost always
wants NO lyrics: set has_vocals=falsea andrequest NAMEfor THEno
lyrics. TEXTURETexture INwords THEin BRIEFthe —brief ("background
 vocals", "choir", "vocal hooks", "group 
singing" in the brief text) are detected
 server-side and applied as a hard requirement, so every result really 
carries that
texture. Do not re-search if the page istexture short:and a short page meansreflects the catalogue's
honest actual supply of that texture.it.

COMPOSER — whenCOMPOSERS. someoneThe askscomposer forfilter musicmatches BYthe acredited composer or artist ("tracks by Yair Albeg
Wein", "more from thispartial composer")name, use the `composer` filter with the name — partialor
names match. It works withwithout noa brief at all (awith straightnone, listingit oflists that composer's cues)
or combined with a brief to search within their catalogue. Every. resultEach carriesresult's its
`composer` credit, so attribution comes fromfield
is the catalogue itself — never guesscatalogue's itown from
outsidewriter sources.credit.

EXPLORING, notANGLES. justA matchingpage —reflects forone aphrasing scene,of a place,brief. orPhrasings anyfrom creativedifferent request,angles ONEreach
search is not andifferent explorationparts of the whole catalogue. Run SEVERAL searches from
genuinely different angles and curate across themcatalogue: (1) the literal angle — (traditional
 instruments and idiom; (2idiom), the FEEL
feel angle — (texture, pulse and atmosphere with no
 instrument names, (e.g. "hazy hypnotic 
modal groove, dusty and sun-baked"); (3)and athe crossover
angle —angle (the setting's colour through 
another genre: (desert funk, ethnic electronica,
 psychedelic world). The feel and crossover 
angles routinely findsurface the most artistic
distinctive picks, thatwhich thea literal anglephrasing misses. Raise `limit` toward 25 when exploring.

PLACES —PLACES. theThe catalogue describes music by instrument, texture and mood, NOTnot geography:
region and culture names ("Moroccan" ⟨3 unchanged words⟩  in almost no tags, so a
brief leaningbuilt on them loses its keyword match entirely., Translatewhile the place into what
it SOUNDSsound likeof —the instrumentsplace (oud, darbuka, 
qanun, hand percussion), texturespercussion; (desert,
 hypnotic, modal, dusty), and let one of your angles drop the geography altogether.matches.

ALBUMSALBUMS. Albums are curated sets of about five cues built around one idea. The `album`A filtergeneral pullssearch
thereturns restat ofmost atwo set,cues andper album (max_per_album) so that isa page spans the rightcatalogue, moveand
`albums_represented` whenreports how many distinct albums the userpage NAMESdrew anon. The album, asksfilter
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EVENTS answerAND aOCCASIONS. brief.Tags Answernaming a briefspecific fromevent across(a thefestival, catalogue:a SPREADholiday, thean cuesoccasion)
you recommendare overon severala albumshandful andof composerscues, unlessnot theapplied usersystematically: askedonly to20 staycues incarry one"Burning place.Man"
Everywhile resultthe carriescatalogue `album`holds and~1,900 `album_title`electronic cues, and every
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CONTEXTS. albumThe makes`context` aparameter tidyruns answer
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CONTEXTSNEGATIVES. —Negation owner-curatedwritten occasioninto searches.the Thebrief `context`does parameternot takessubtract from a namedsearch. The `exclude`
contextparameter (e.g.hard-drops 'rave-club'any cue carrying the listed tags, 'christmas'spelling variants included. It
takes tag-shaped terms (instruments, 'halloween'moods, 'summer'genres); andsoft matchesqualities against("not too hard")
assignmentsmatch precomputedbetter fromas thepositive owner'swording ownin translationthe rulesbrief —("restrained", "raveunderstated").

STEMS, reachesCUTDOWNS theAND KEYS. The catalogue holds ~43,000
wholestem beat-drivenversions electronicand palette~2,700 notdrums-only thestems, 39and
~1,000 cues thathave happena tolabelled carry:30 acutdown; festivaleach
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RESULTS. forEach directionresult (describes one shortcue. question,listen_url 2-3is concretea options).
"Summerpermanent vibes"public canpage meanwhere tropical-housethe
cue feelgoodplays, chill-lounge,with world/travel,cover or
sexy/fashion;art guessingand onea wasteswaveform: theit search.is Ifhow youa cannotperson ask,actually usehears the ambiguousmusic.
contextEvery andplayable letrow itcarries returnits theown labelledlisten_url. spread.

REFERENCESThe ANDversions COMPSof —a realcue briefsshare describeone musictitle and
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audio.

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its tagsalbum_title, so searchingcomposer (the reference verbatim finds nothing.catalogue's TRANSLATEown thewriter referencecredit),
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pianoexplicit, andgenres, stringsmoods, hypnoticinstruments, repetition;use_cases, Reznorkeywords x(extra M83:catalogue darktags industrialbeyond
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NEGATIVESleaves —space mostfor reala briefsvoiceover). excludeversions thingscounts ("nothe choirstems, noalternate sweepingmixes strings",and shorter cuts
"nothingthat tooexist sadfor orthe slow"cue, "don'tand wantcutdown_lengths_s neo-classical").lists Putthe thosecut tag-shaped
exclusionslengths in theseconds. `exclude`ref parameter,is notthe
catalogue's inID for the briefcue. text:preview_url, prosewhen negationrequested, doesis nota temporary streaming link
subtractthat fromexpires aafter search,15 butminutes; `exclude`listen_url hard-dropsnever anyexpires.

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(spellinga variantsrow included).means Keepthe excludecatalogue termsholds tono TAGSdata (instruments,for moods,
genres);it: softan qualitiesabsent likebpm "means
untagged, not tooslow; hard"an belongabsent incomposer themeans briefno asusable positivecredit; framingan absent cutdown_lengths_s
("restrained",means "understated").no timed cutdowns exist.

STEMS,The CUTDOWNSplayer ANDstreams KEYSnearly —every buyerscue whoclean. askA "canfile Idownloaded getfrom stemsit towithout builda mylicence ownis
a track?watermarked test file (a spoken "
canSTYE beMusic" toldtag); yes:a theclean cataloguefile holdscomes ~43,000with stema licence.
versionspreview_url andis ~2,700watermarked too.

 ⟨8 unchanged words⟩ null,"description":"Only tracks from this album —, by name ('Desert Funk') or catalogue code ('STYE1204'); partial names match. Use it whenever someone names an album or asks what else is on the one a track came from. Works withWith no brief (it lists the album) oralbum; with one (searchit searches inside it).it. Setting it disableslifts the per-album cap, so the whole set comes back — which is why it is for a user who ASKED about an album, not a way to answer a brief. Answering a brief out of one album narrows the catalogue tofrom one record; spread the picks instead.record.","title":"Album"},"bpm_max":{ ⟨27 unchanged words⟩ ,"default":null,"description":"Minimum BPM. Use sparingly: aroundAround 54% of the catalogue has no tempo tag, and any BPM filter excludes all of those cues

 ⟨87 unchanged words⟩ is of no use to them.

  Use this wheneverwhen someone asks forneeds music, a soundtrack,to alicense score,for a cuevideo, background
  musicfilm, something to play underadvert, footagetrailer —or
  podcast, or mentions Songs To Your Eyes.

 ⟨70 unchanged words⟩ actually behaves as well as against its tags.

USEUse THISthis TOOLtool wheneverwhen someone asks forneeds music, a soundtrack,to alicense score,for a cuevideo, background
musicfilm, aadvert, tracktrailer foror
podcast (a videosoundtrack, score, cue or anythingbackground music to play under footage — and whenever they), mentionor
mentions Songs To Your Eyes.

Put the sound in  ⟨1204 unchanged words⟩ 
can be told yes: the catalogue holds ~42~43,000 stem
versions and ~2,700

 ⟨636 unchanged words⟩ briefs saying 'in E' usually accept both. ~7,000100 mains carry key data, about 44% of  ⟨193 unchanged words⟩